Transcript - "Deus Ex Machina"

[Sydney]

Thanks to Spooky

Episode 19 - Deus ex Machina

Written by Damen Lindelof & Carlton Cuse

Directed by Robert Mandel

[Shot of Locke's hand setting up a Mouse Trap game as an employee in a department store. A kid walks up.]

Kid

What's that?

Locke

A game. It's my favorite game, actually. I used to play it with my brother. It's called Mouse Trap.

Kid

How do you play?

Locke

Well, you start with all these parts off the board. And then, one by one, you build the trap - shoe, bucket, tub - piece by piece it all comes together. And then you wait 'til your opponent lands here on the old cheese wheel. And then if you set it up just right, you spring the trap. Go ahead kiddo.

[Locke sees a woman in fur coat watching him, and goes over to talk to her.]

Locke

May I help you, ma'am?

Emily

Yes, um, could you tell me where the footballs are?

Locke

Aisle 8 for regulation, aisle 15 for nerf.

Emily

Oh, yes, thank you. Thanks.

[Shot of the game trapping the mouse.

Shot of Locke at the hatch, wiping dirt from the glass.]

Boone

You want my opinion?

Locke

Boone, you've got to have some faith. [Boone walks away] All we've got to do is break the glass, and then we're in - trebuchet delivers a half a ton of force.

Boone

Why do they call it a trebuchet? It looks like a catapult.

[Boone and Locke are positioning the trebuchet to spring.]

Locke

It's called a trebuchet, Boone, because it's called a trebuchet.

Boone

I don't get you, man. One minute you're quoting Nietzsche, now all of the sudden you're an engineer. I don't think I can spell trebuchet.

Locke

There's a 't' on the end.

Boone

I'm serious, John. We've been coming out here everyday for 2 weeks - you never talk about yourself. Everybody's got a story.

Locke

My story would bore you.

[Shot of the trebuchet arm being hoisted upward by Boone and Locke.]

Locke

3, 2, 1.

[Locke releases the arm which falls onto the hatch but does no damage. The whole trebuchet breaks apart.]

Locke [angry]

This was supposed to work. This was supposed to work!

Boone

John. Your leg, man.

[Shot of a piece of metal sticking out of Locke's right leg. Locke pulls it out and sees that it's bloodied for 3 or 4 inches.]

Boone

Are you okay?

Locke [nonplussed]

Yeah, I'm fine.

[Shot of Locke bandaging his wound, then pricking the skin on his legs with a safety pin to check for feeling. Then holding a piece of burning wood from a fire to the bottom of his foot, but not feeling pain.]

COMMERCIAL BREAK

Tivo return time 0:06

[Boone and Locke are chopping wood to build another trebuchet.]

Boone

The trebuchet - why didn't it work?

Locke

It didn't work because it wasn't strong enough.

Boone

I don't think that glass is going to break, man. Whatever it's made out of. . .

Locke

Everything breaks if you apply the right force.

Boone

So, we're just going to build another one of your inventions, hope it works this time.

Locke

That's right.

Boone

What if it doesn't?

Locke

Then the island will tell us what to do.

Boone

What's that?

Locke

I should get back there - salvage those pieces.

Boone

Your leg okay?

Locke

It's fine.

Flashback.

[Shot of Locke in the store parking lot. Finds a flyer for a lost dog on his windshield, then see Emily looking at him again. He follows her. He gets hit by a car backing up out of a parking space, but gets up and continues following Emily.]

Locke

Hey, hey, hey. Why are you following me?

Emily

I'm sorry.

Locke

Who are you?

Emily

I'm your mother.

[Shot of Locke and Emily in a diner.]

Locke

Look, miss, I don't know why you think I'm your son, or how you found me, but. . .

Emily

You're adopted, aren't you?

Locke

No. No, I was raised in a foster home. Well, several foster homes, actually. Look, I don't mean to be rude - what do you want from me?

Emily

I want to tell you that you're special, very special. You're part of a design. You do realize that, don't you? That our meeting - me finding you - this is a sign of things to come. Great things.

Locke

My father, is he still alive?

Emily

Still alive? Oh, John? Don't you understand? You don't have a father. You were immaculately conceived.

[Sawyer walking up to Sun at her garden.]

Sawyer [with a leaf in each hand]

Which one?

Sun

That one.

Sawyer

You're sure? Because this is the one I've been using and nothing's happening.

Sun

I'm sorry it's not helping.

Kate [entering]

What's not helping?

Sawyer

Nothing. [to Sun] Thanks, anyway. Nice gardening. [Sawyer exits]

Kate

What was that all about?

Sun

He has headaches.

Kate

Doesn't he have, like, a truckload of aspirin stashed away somewhere?

Sun

He says aspirin didn't help.

[Jack shaving in a mirror at the caves. Kate enters.]

Kate

Can I ask you a question? Say you're having bad headaches everyday. . .

Jack

You okay?

Kate

Yeah, fine.

Jack

So, who are we talking about then, Kate?

Kate

Sawyer.

Jack

Uh-huh.

Kate

I just think there might be something really wrong with him.

Jack

And what does he think?

Kate

He says he's fine, but. . .

Jack

Then he's fine.

Kate

Yeah, well, he could be playing it down. There could some. . .

Jack

Look, Kate, I'd like nothing more than to check the guy out and make sure he's okay. But we both know all I'm going to get for my trouble is a snappy one-liner. And if I'm real lucky, a brand new nickname. I'm just over it.

[Locke re-building the trebuchet. Boone enters.]

Locke

You're late.

Boone

Late for what?

Locke

Late for work.

Boone

I think I'm done working, John.

Locke

I'm sorry, what?

Boone

It's useless. You can't open that thing up. You say you can but you can't.

Locke

No, don't tell me what I can't do.

Boone

Don't you get it? It's a dead end. You're not getting in.

Locke

That's impossible. We didn't find this by accident. We're supposed to. . .

Boone

Oh, we're supposed to. We're supposed to find this, right? We're supposed to open it, right? Then tell me something, John, if we're supposed to open it, then why the hell haven't we opened it yet?

Locke

The island will send us a sign.

Boone [sarcastically]

The island will us a sign.

Locke

All that's happening now is our faith is being tested - our commitment. But we will open it. The island will show us how.

Boone

What kind of kind of sign will the island send us? Huh, John?

[Sound of an airplane engine. Locke looks up to see a small, smoking plane looking like it's going to crash.]

Locke [pointing]

Did you see that? Boone?

[Boone is looking up at the sky. There's a quick inserted shot of Boone all bloody. Locke hears a metallic(?) sound and looks around to see his mother pointing.]

Boone [bloody]

Theresa falls up the stairs. Theresa falls down the stairs. Theresa falls up the stairs. Theresa falls down the stairs.

[Locke is in a wheelchair, his mother pointing in the background.]

Locke

No, no, no, please.

Boone [overlapping with Locke]

Theresa falls up the stairs. Theresa falls down the stairs.

Locke [trying to get out of the wheelchair, falling]

Don't take it back.

[Locke at night on the beach, waking up frightened from a dream. He checks his legs to see if he can feel them.]

COMMERCIAL BREAK

Tivo return time 0:17

[Locke approaching Boone who's sleeping.]

Locke [whispering]

Boone, wake up.

Boone

Huh. [Locke shushes him.] What time is it?

Locke [whispering]

It's morning, c'mon.

Boone

Okay, I'm up, I'm up. What is going on?

Locke

C'mon, let's go.

Flashback.

Frainey (the PI)

Emily Annabeth Locke in 10,000 words or less.

Locke [in the lunch room at the department store, picks up a copy of Emily's driver's license]

So, she's my mother.

Frainey

I lifted some hairs from her car and matched them with your DNA samples. It's 99% certain. [Locke looks at some admission records from a mental hospital.] She was institutionalized - a few times.

Locke

What for?

Frainey

Nothing criminal or violent. It's a type of schizophrenia. Apparently, if she stays on her meds, she's okay.

Locke [looking at a red folder Frainey still has]

What about my father?

Frainey

Here's the thing. Your mother sought you out, so she's fair game. But this guy - maybe he doesn't even know you exist. I've done this enough times to know this stuff isn't meant to be, even though it may feel that way. But this probably won't have a happy ending. So, do you want it, or not?

Locke

I want it.

[Locke driving up to the gate of a big house. Stopping at a guard gate.]

Eddie (the guard)

Your name is?

Locke

John, John Locke. I'm Anthony Cooper's son.

Eddie

Mr. Cooper doesn't have a son.

[Shot of a surveillance camera.]

Locke

Tell him I'm don't want anything. My mother is Emily Locke. Please.

Eddie

Just a minute. [Picks up a phone] Yeah, Mr. Cooper, I've got John Locke here - says he's your son. Yes, sir. Well, you can go on in, sir.

[Scene switches to inside of Cooper's house. Shot of pictures, presumably, of Cooper kayaking, scuba-diving, etc.]

Cooper

Well, this is awkward.

Locke

Thank you for seeing me, sir. I'm, uh, John.

[They shake hands.]

Cooper

Something tells me I'm going to want a drink for this. You want a drink?

Locke

Um, yeah, alright, great.

Cooper

Scotch okay?

Locke

Yeah, that's, um, thanks.

Cooper

So who found who?

Locke

I'm sorry, sir?

Cooper

Emily, your mother, did she find you or did you find her?

Locke

She found me.

Cooper

How did she look?

Locke

Alright, I guess.

Cooper

Did she say anything about me?

Locke

She said that I didn't have a father - that I was immaculately conceived.

Cooper [laughing]

Really? Well, I guess that makes me god, huh? I didn't know you existed until a year after you were born. She told me she wasn't even going to have a baby - you - at all. Then she drops of the face of the planet. When she turns up again, she's asking for money - telling me she put you up for adoption. You going to drink that, or what? [Locke takes a sip.] You have a family your own?

Locke

No, sir.

Cooper

Me either. I tried it a couple of times, didn't take. Do you hunt?

Locke [laughing]

No, no.

Cooper

You're not one of those animal rights nut jobs, are you?

Locke

No. No, sir.

Cooper

What are you doing this Sunday?

Locke

Nothin'.

Cooper

You want to go hunting?

Locke

Um, well - I'd like that. Yeah, I'd like that very much.

[Locke and Cooper drink to it.

Scene switches to Boone and Locke at the hatch.]

Locke

I had a dream last night. I asked for a sign and then I saw a plane crash - a Beechcraft [pointing] right out there. It was a dream, but it was the most real thing I've ever experienced. I know where to go now.

Boone

Go for what?

Locke

To find what we need to open this bastard up.

Boone

Have you been using that wacky paste stuff that made me see my sister get eaten?

Locke [laughing]

No, no.

Boone

Because, John, I've got to tell you, signs and dreams. . .

Locke

Who's Theresa?

Boone

What?

Locke

Theresa falls up the stairs. Theresa falls down the stairs. You were saying that in the dream.

Boone

How would you know about that?

Locke

I don't know, Boone, but we're supposed to go to this place. We're supposed to find that plane. Will you come with me?

[Boone nods.

Jin and Michael are working on the raft. Jack enters.]

Jack

I was going to ask you how this was going, but it's coming together fast.

Michael

The fire wasn't a total loss. We learned a few things from building the first one which is saving us from trial and error. Now it's just [looking at Jin] trial.

Jin

Says something in Korean, in an annoyed tone.

Michael

Yeah, yeah, yeah, yeah.

Jin

Something in Korean - still annoyed.

Michael

Yeah, man, I know - now, now, now.

Jack

You picking up on a little Korean there, Michael?

Michael

Yeah, I'm pretty sure I know who to say: faster and idiot.

[Jack sees Sawyer putting a cloth over his eyes. He walks over.]

Jack

I hear you're having trouble with your head.

Sawyer

What, now she got you making house calls?

Jack

You're sensitive to the light, too, huh?

Sawyer

You know what? I'm sensitive to you. . .

Jack [leaving]

Alright, we'll see you.

Sawyer

Doc? Sensitivity to the light - that bad?

Jack

Depends.

Sawyer

On what?

Jack

On what's causing your headaches.

Sawyer

It's not like it's a tumor, or something.

Jack

What makes you think it's a tumor?

Sawyer

I don't.

Jack

Great. Okay, then.

Sawyer

My uncle. He died of a brain tumor.

Jack

Yeah?

Sawyer

That run in a family? Tumors?

Jack

What type of tumor was it?

Sawyer

The type that kills you.

Jack

Do you smell anything funny? Brain tumors bring on phantom smells, maybe like something burning.

Sawyer

Just headaches.

Jack

Well, I'm sure you're fine then. Look, if this is worrying you, there's a couple of tests that I could do.

Sawyer

Sorry, Doc, sounds fun, but my insurance ran out.

Jack [laughing]

Insurance ran out - that's a good one.

[Jack exits. Sawyer sniffs the air.

Locke and Boone walking in the jungle.]

Boone

I could have mentioned her name out by the hatch one day.

Locke

Who?

Boone

Theresa. Maybe I was talking to myself.

Locke [checking his compass]

Maybe, but you didn't.

Boone

So, in this dream you saw a plane crash, right?

Locke

Yeah.

Boone

Okay, the fact that we were all just in a plane crash - you didn't think for one second. . .

[Locke falls.]

Boone

John, you okay?

Locke [upset and not letting Boone help him]

I'm fine. [He starts getting up.]

Boone

What is wrong with your leg?

Locke

I'm fine.

[When Locke stands up he sees something.]

Boone

What?

[Locke grabs a rosary from a branch and hands it to Boone.]

Boone

Someone from camp hiked all the way out here?

Locke

Nope.

Boone

Where do you think it came from?

Locke [pulling on a vine which makes a body fall to the ground]

Him.

COMMERCIAL BREAK

Tivo return time 0:29

[Locke driving up to Cooper's house.]

Locke

Mornin', Eddie.

Eddie

Mornin', Mr. Locke - you gentleman going to get some birds again?

Locke

I sure hope so.

[Scene switches to inside the house. Locke walks in and sees a nurse. Cooper is hooked up to a dialysis machine.]

Locke

Anthony?

Cooper

You weren't supposed to be here 'til 12.

Locke

I thought you said 11. What is this?

Cooper

It's a dialysis machine. My kidney's failing. Damn doctors say I need a transplant.

Locke

When?

Cooper

Tomorrow if it were up to me. I'm on the donor list, but I'm an old man and it's a long list.

Locke

How long. . .

Cooper

John, the dialysis will be fine for a while. I didn't tell you for this exact reason. I'm not going to let this spoil what's going to be a fantastic day, and neither should you. So, I'll get done here and we'll have a nice lunch and go shoot some birds.

[Shot of the skeleton. Boone is looking at a book (Bible?). Locke grabs a pen from the skeleton's shirt.]

Boone

He's a priest. How long do you think he's been dead?

Locke

Normally clothing would completely decompose within 2 years, but this is high quality polyester - could be 2 years, could be 10. [Boone pulls the pen apart and finds it's a knife.] Gold teeth - obviously well off.

[Locke finds a large wad of bills.]

Boone

What kind of money is that?

Locke

Nigerian naira.

Boone

What is a Nigerian priest doing on an island in the South Pacific?

Locke [finding a gun]

I'm not so sure he's a priest.

[Sawyer wetting a cloth for his head, looking miserable. Redshirts start banging on stuff (making a shelter?)]

Sawyer

You want to keep it down?

Kate [entering]

That's it, get up.

Sawyer

What?

Kate

Get up. You're going to Jack.

Sawyer

Do I get a lollipop?

[Scene switches to the caves. Jack is moving a pen in front of Sawyer's eyes.]

Jack

When did the headaches start?

Sawyer

A few days ago, a week maybe. [To Kate] Do you have to be here?

Jack

Do you have them when you wake up in the morning?

Sawyer

Usually they hit me in the middle of the day. What the hell are you doing with that thing?

Jack

Checking to see how your pupils respond to changing stimuli.

[Jack nods and walks to get a notebook.]

Sawyer

What's that? That nod?

Kate

Would you just let him do his thing?

Sawyer

I'm letting him, but I want to know what the hell he thinks. . .

Jack

I think you should just shut up and relax.

[Jack snaps his finger in Sawyer's face.]

Sawyer

What the hell are doing?

Jack

Have you ever had a blood transfusion?

Sawyer

What? No.

Jack

Taken pills for malaria?

Sawyer

Nope.

Jack

Have you ever had sex with a prostitute?

Sawyer

What the hell has that got to do with anything?

Jack

Is that a yes?

Sawyer

Yes.

Jack

Have you ever contracted a sexually transmitted disease?

[Sawyer doesn't respond.]

Jack

I'm going to take that as another yes. When was the last outbreak?

[Sawyer gets up to leave.]

Sawyer

Go to hell, doc.

Kate

I know he deserved, but. . .

Jack

He needs glasses.

[Locke and Boone walking. Locke is walking with difficulty.]

Boone

What's going on, John?

Locke

Nothing.

Boone

You can barely walk, man.

Locke

It's the wound from the shrapnel.

Boone

That's your right leg, John. Now, what's wrong with your left?

Locke [annoyed]

I'm fine, now stop asking me.

[Locke falls.]

Boone

That's it. Let's go back.

Locke

I'm fine.

Boone

No, you're not. Let me get you back to Jack.

Locke

Jack wouldn't know the first thing about what's wrong with me.

[Locke tries to get up but falls again.]

Boone

John, we've got to. . .

Locke

No, no, no.

Boone

What is wrong with you? Are you crazy?

Locke

I was in a wheelchair.

Boone

What?

Locke

Paralyzed for 4 years. The plane - our plane - I was in that chair when we took off. But not after we crashed.

Boone

Why were you in a wheelchair?

Locke

It doesn't matter anymore. But, but, this island, it changed me. It made me whole. Now it's trying to take it back and I don't know why. But it wants me to follow what I saw.

Boone

What?

Locke

I know it sounds crazy. 4 weeks ago I wouldn't have believed it myself. But you and I are here for a reason. There's something that we were meant to find - something that's going to help us get into the hatch. I know it. But we've got to keep going.

Boone

Okay. Can you move your legs?

Locke

Just help me up, son.

Flashback.

[Locke and Cooper in a field hunting.]

Cooper

These doves fly a lot faster than you think. So you've got to really lead them. You have to drop it in [can't understand what he says].

[A bird starts from a bush. Locke fires and hits it.]

Locke

Got him.

Cooper

Yeah, you did. Good shot, son. John, you're mother, she may be a little crazy, but at least she brought us together. Thank god it happened now, while we still have time. Let's find your bird.

[Boone struggling to help Locke who can barely walk. Boone lets Locke fall and they take a rest.]

Boone

She was my nanny. Theresa. She was my nanny. My mother wasn't around much. I needed someone to take it out on - my bedroom was at the top of this huge flight of stairs, and I would sit in bed all day calling her on the intercom. One day she took a bad step - broke her neck. I was six.

[Locke sees something over Boone's shoulder and starts laughing.]

Boone [grabbing Locke by the collar]

Listen, what the hell is so funny?

Locke [laughing and pointing]

Look.

[They see the plane.]

COMMERCIAL BREAK

Tivo return time 0:42

[Shot of the plane balanced partly on a cliff and trees.]

Boone

Is that the plane you saw?

Locke

As best I can tell.

Boone

You really saw it?

Locke

Yeah, I really saw it.

Boone

How long do you think it's been there?

Locke

Doesn't matter. What's important is that we found it. What's important is what's inside it.

Boone

What is inside of it, John?

Locke

You're going to have to climb up there for us and find out.

[Locke and Cooper in the hospital right before the transplant surgery.]

Cooper

You can still change your mind.

Locke

Nah. They already shaved my back.

Cooper

I'm so thankful for you, John.

Locke

This was meant to be.

Cooper

See you on the other side, son.

[Jack walks up to Sawyer at the beach, carrying a box.]

Sawyer

If you're looking for a stool sample, you can forget it.

Jack

You've been reading a lot since we came to the island.

Sawyer

Okay, so what?

Jack

You, uh, you've got hyperopia.

Sawyer

Hyperopia? That's, uh, what is that?

Jack

You're far-sighted.

Sawyer

Far-sighted?

Jack [laughing]

Yeah. It can develop later in life, especially when you add any strain to the eyes like with reading.

[Jack hands Sawyer a pair of glasses from the box to try and holds the book up for Sawyer.]

Sawyer

Blurry.

[Sawyer tries a different pair.]

Jack

Better or worse?

Sawyer

Worse.

[Jack gets another pair.]

Sawyer

Uh-uh, no way.

Jack

Sawyer, it's not a fashion show.

[Scene switches to Sayid melting 2 pairs of glasses apart and then putting the 2 different lenses together to make one pair for Sawyer.]



[Shot of a blurry sheet of paper that says: better or worse? Glasses come up and the image sharpens.]

Sawyer

Har, har, very funny.

Hurley [walking by]

Dude, it looks like someone steam rolled Harry Potter.

[Kate and Jack are amused.]

Sawyer [to Jack]

You love this, don't you?

Jack

You're welcome.

[Boone climbing up to the plane while Locke looks on. Boone slips.]

Locke

Hang on.

[Boone keeps climbing and gets inside the plane. He finds of map of Nigeria/Africa. The plane tilts, Boone falls, and a body falls on him. Boone screams.]

Locke

Boone? Boone?

Boone

I'm fine.

[Locke starts walking toward the plane.]

Locke

Boone, what do you see? Boone?

Boone

Want to know what's in your damn plane, Locke?

[We see a crate with some Virgin Mary statues. Boone takes one and throws is down to Locke.]

Boone

Here's your sign.

[The statue breaks open to reveal baggies of heroin.]

Boone

They're drug smugglers, Locke. Heroin, that's all that's in here.

Locke

I don't understand. I don't understand.

[Boone finds another map then looks at the instrument panel. He tries the radio and hears static. The plane starts toppling over, but stops.]

Locke

Boone, Boone, get out!

Boone [to the radio]

Hello. Hello. Anybody out there? Mayday, mayday.

Locke

Boone, there's no time. Get out now.

Radio Voice

Is someone there?

Boone

Hello. Hello. Can you hear me?

Radio Voice

Repeat your transmission please.

Boone

Hello. We're survivors of the crash of Oceanic flight 815, please copy.

Locke [overlapping]

Boone, get out!

Radio Voice

Hello. We're the survivors of Oceanic flight 815(?).

Locke [overlapping]

Boone, get out.

[The plane falls and flips over. Locke struggles to get up and gets Boone to carry him back to Jack.]

COMMERCIAL BREAK

Tivo return time 0:54

[Jack at the caves. Kate enters.]

Kate

So, did you know before or after you asked him about his latest outbreak?

Jack

Well, I'd answer that, Kate, but, you know, doctor-patient confidentiality.

Kate

Of course. Thank you for helping him. I know it was probably the last thing you wanted to do.

Jack

I didn't do it for him.

Locke

Jack, help.

Jack

No, no, no. Put him down up here. Alright, alright that's it, easy. What happened?

Locke

There was an accident. Boone fell off a cliff out near the place we were hunting.

[Jack rips Boone's shirt open to reveal a big wound.]

Jack

Okay, I'm going to need some water - shirts, towels, anything that I can use to staunch the bleeding. Kate, now, please.

[Shot of Locke standing, looking on.]

Jack

John, tell me exactly what happened. John? Locke? Locke? Locke?

[Locke is gone.

Scene switches to flashback. Locke waking in the hospital after the transplant surgery. He looks over to see an empty bed next to him. A nurse is taking his pulse.]

Nurse

I think what you did is so kind.

Locke

Where's my father?

Nurse

Who?

Locke

We had the transplant together.

Nurse

I didn't know he was your father.

Locke

We don't have the same last name. Where is he?

Nurse

Mr. Cooper checked out this afternoon. He went back home. He's under private care.

Locke

But, that doesn't make any. . . why? Did he leave me a message?

Nurse

No, not that I know of. You just relax, Mr. Locke. I'm going to get you some juice.

Emily [off camera]

It was his idea. I'm sorry, John.

Locke

What are you doing here?

Emily

I needed some money. He's always been good that way. You're father's always been generous.

Locke

You told me I didn't have a father.

Emily

Well, he said that was the only way you would give it to him. It had to be your idea. He told me where to find you. He asked me to go see you. I wanted to see you.

Locke

This can't be happening. This is a misunderstanding. This can't happen to me. He wouldn't do this to me. He wouldn't do this to me!

[Locke gets up out of bed. The scene switches to Locke driving up to the gate of Cooper's house.]

Locke

Eddie, Eddie open the gate.

Eddie

Mr. Cooper's not seeing guests.

Locke

I'm not a guest.

Eddie

I'm sorry, John.

[Locke gets out of the car.]

Locke

Eddie, open the gate.

Eddie

I'm sorry, I'm going to need you to move your car.

[Locke goes up to the gate. We see the camera point at him.]

Locke

I know you're watching me. You can't do this.

Eddie

John, please. Move your car.

[Locke driving, angry and hitting the rear-view mirror, the roof of the car. He stops the car and screams.

Scene switches to Locke in the jungle kneeling and crying at the hatch.]

Locke

I've done everything you wanted me to do. So why did you do this? Why?

[A light goes on inside the hatch.]